In which The Curmudgeons explore the dichotomous year that followed 1967's Summer of Love trippiness. The previous year's highs represent a peak creative burst. Well, where to go next? That's where the era's most storied artists diverged. On the one hand, you had bands that went bigger and bolder--The Beatles, Jimi Hendrix and The Grateful Dead fall into this category. On the other hand, you had a yearning to return to the simpler roots of rock 'n' roll, and a rush toward softer, warmer hues by The Byrds, The Band, The Kinks and others ensued. We explore both paths in depth and with panache.
Enjoy the music we discuss in this episode using our Spotify playlist:
https://open.spotify.com/playlist/62VxWb48fGleKLmFkRSPF0?si=bc901034b00144ef
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(0:52 - 02:20) - Arturo Andrade sets the parameters for our discussion of 1968
(04:55 - 20:18) - The Parallel Universe, featuring reviews of albums by Sleater-Kinney and Amyl & The Sniffers
(21:03 - 54:15) - WE analyze The Beatles' White Album and The Rolling Stones' Beggars Banquet
(55:28 - 01:19:24) - Christopher O'Connor analyzes 1968 albums by The Band, The Byrds and The Kinks
(01:20:22 - 02:05:22) - We cover a slew of albums, ranging from Van Morrison's Astral Weeks to The Pretty Things' S.F. Sorrow, with Jimi Hendrix and The Grateful Dead and others sandwiched in between
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Co-written and co-produced by Arturo Andrade and Christopher O'Connor - The Curmudgeons
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