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Join Ads Marketplace to earn through podcast sponsorships.
Manage your ads with dynamic ad insertion capability.
Monetize with Apple Podcasts Subscriptions via Podbean.
Earn rewards and recurring income from Fan Club membership.
Get the answers and support you need.
Resources and guides to launch, grow, and monetize podcast.
Stay updated with the latest podcasting tips and trends.
Check out our newest and recently released features!
Podcast interviews, best practices, and helpful tips.
The step-by-step guide to start your own podcast.
Create the best live podcast and engage your audience.
Tips on making the decision to monetize your podcast.
The best ways to get more eyes and ears on your podcast.
Everything you need to know about podcast advertising.
The ultimate guide to recording a podcast on your phone.
Steps to set up and use group recording in the Podbean app.
[School of Movies 2024]
This one is special on a level I am going to find challenging to articulate in a medium as clumsy as the written word. It is a show that has been promised for well over a decade, it took me four recording sessions and a protracted edit over the month of August. It is so densely and richly layered that I would put it in the same category as our shows on Guillermo del Toro and the Lord of the Rings (ironic, since that was the book the writer/director used to convince his mother Alice Crowe that rock music wasn't all just sex and drugs).
This is the fourth film from Cameron Crowe, after Say Anything, Singles and Jerry Maguire, and you will hear in this show just how much his autobiographical experiences and outlook on the world influenced and resonated with me in the late 90s and early 2000s, in a way that has absolutely informed upon not only my character, personality, writing, editing and philosophy, but the way I engage with music itself. Put simply, this movie goes beyond masterpiece and becomes an experience like no other.
Grab your biggest clamshell headphones, get away from the hustle and bustle of the modern world, and immerse yourself in a time period most of us were not present for. A time between the late 60s and early 70s when art and commercialism were engaged in war for our collective attention. One would nourish our spirit, the other would fixate upon our money. This is the story of a 15 year old boy who somehow convinced Rolling Stone Magazine he was a credible music journalist and went on tour with some of the greatest rock bands who have ever mounted the stage.
And it is, on so many levels... True.
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