Today we welcome Director Crystal Manich, Choreographer Susa Van Pelt Petry, Set and Costume Designer Court Watson and Lighting and Projection Designer Tlaloc Lopez-Watermann as we discuss why doing a show like Madame Butterfly is important in 2018 and how a company can "re-tell" a story that so many people think they know WITHOUT changing the music or the words.
The conversation was so good we didn't want to limit it to one hour, so enjoy this episode and stay tuned for the second part next week!
Attribution:
----more----
Logo:
Ritzy Remix font by Nick Curtis - www.nicksfonts.com/index.html
Music and Sound
cello_tuning by flcellogrl / Licence: CC BY 3.0
freesound.org/people/flcellogrl/sounds/195138/
Flute Play C - 08 by cms4f / Licence: CC0 1.0
freesound.org/people/cms4f/sounds/159123/
"Danse Macabre - Violin Hook" Kevin MacLeod (incompetech.com) / Licence: CC BY 3.0
Licenses
CC BY 3.0 - creativecommons.org/licenses/by/3.0/
CC0 1.0 - creativecommons.org/publicdomain/zero/1.0/
Create your
podcast in
minutes
It is Free