Paul Verhoeven's first American film is a violently subtle attack on corporatism. The 1987 film also looks forward to a hypothetical dystopian Detroit that looks like it might be better off than current actual Detroit. In a movie about excess Kurtwood Smith still manages to steal the show as the over-the-top villain. It's a really fun movie and I'm happy to report that Donovan Hill is joining us again to discuss it.
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