Hip-Hop is a cultural movement that was formed following the defeat of the African Revolution of the 1960s. Its poetics, aesthetics, and politics reflect African life under the US counterinsurgency.
The conditions that define the moment hip-hop arose were: increased privatization, mass unemployment and poverty, increased colonial violence and a decrease in mass mobilization. Hip-Hop shares these conditions with other African art forms such as the blues and calypso, of an earlier period, and reggae music of the 1970s.
Hip-Hop’s enduring character is attributed to its origins in the African working class.
Hip-Hop and rap music has, at times, offered political prescriptions to the African Working Class. More than often, rappers and other cultural workers have reflected the revolutionary upsurge amongst the masses.
Historically, the most remarkable rap group was Dead Prez. As this episode's guests noted, Dead Prez did not just rap about political topics, they had excellent skill and production but were also African Internationalist organizers. This year is the 20th anniversary of Dead Prez’s album Let’s Get Free.
In 2020, rappers and African cultural workers have entered into political debates over police violence and electoral politics. As we see in this episode, their conclusions are not always what we expect but, as our guest Professor Fanon Che Wilkins notes, we should continue to engage rappers and Hip-Hop as an arena of struggle.
In this episode, we do just that.
Hosts Dr. Matsemela Odom and Muambi Tangu talk with:
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