Ensemble.
Why do we need it?
I believe the ensemble is the missing piece of the puzzle, to our own individual process, the collective process and our culture as a whole.
So how do we create the im-possible? (for reference, 99% of folx in the West have told me it’s not possible).
We break the rules.
And here’s a secret *hint hint*: by tuning in and planting the possibility into our imaginations, we’re already at work!
We cover a lot today, from how you call your artist-self, to the necessary safety and trust of the ensemble (required for risk + improv), to the greater picture. Theatre is a mirror of society; when we only play bits and parts of ourselves before hurling into the next shiny task, what are we reflecting back?
Today, we are flipping No on its head: Yesssssss!
#speechforthestage
N → Y
Y → N
a e i o u
nay - nee - nai - noh - noo
yay - yee - yai - you - yoo
nay-yay nee-yee nai-yai noh-yoh noo-yoo
yay-nay yee-nee yai-nai you-noh yoo-noo
Want to write me a wish letter?: impulse@actortoartist.com
Come visit me on IG! @serabanda
Test your articulators with me: Actor to Artist.
Dig in further: actortoartist.com
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